When you are into home recording, you need two essential objects: a windscreen and a pop filter. However, these two function differently. So, which one should you use on particular situations?
Using this guide, you will see which to use on your microphones on various occasions. If you are planning on taking a recording path, this knowledge is crucial as early as today. So you better determine which one is suitable for a certain occasion.
If recording outdoors, a windscreen is your best option. Windscreens are composed of porous foam and can fit snugly over your mic. Though this can help remove wind noise, their effects can vary depending on the foam's quality. This makes big, sophisticated windscreens for live recordings outdoors really costly.
If you will record vocals indoors, you will need a pop shield. Pop shields are light, almost transparent mesh that is positioned over a plastic frame or a wire. It can be kept in position over a microphone's diaphragm using a special clamp. This instrument is helpful in reducing obvious P, B and S noises, also known as plosives.
When you are in extreme situations outdoors, you will most probably need a "windshock". These are big windscreens that work by suspending the mic in the middle, while soft, long-fibered cloth wraps the mic suspension. This makes plenty of air space in the microphone's surroundings, creating clean recordings despite the harsh winds.
Windscreens can vary in quality. For outdoor vocal recordings with high winds, you should use high quality windscreens. Plenty of condenser mics come equipped with windscreens ready made to fit in their own capsule. However, you have to know that they aren't always best of quality.
Great pop shields are actually worth every penny. You may be tempted to opt for cheaper pop shields. However, shopping for something in the higher range of pop shields can mean good quality.
Keep away from pop shields that come with spring-loaded clasps. Only choose models that attach to the mic with a clamp.
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