Pop filters are normally constructed from woven nylon placed over a circular frame. A lot would declare that pop filters with two layers can accomplish better. They are typically linked to adaptable sticks, where at the end is a clamp for it to affix to the mic stand. Microphones have foam filter covers but these are thought useless in getting rid of plosives. Pop filters are more useful in lessening pops and plosives than foam filter covers mainly because pop filters can keep you at a good distance from the mic.
Some people believe in some myths spread out in the internet about pop filter alternatives. A very widespread one is related to placing a pencil to the mic. You are to place the pencil against the microphone's face in the middle of it. This setup is thought to have similar impact as a pop filter, which is unfortunately not correct. The pencil may redirect the sounds made from upsetting hisses and pops but only by a trivial amount.
One more widespread myth relating to pop filters is that you can construct your own and still receive the same result as the true thing. Again, this is untrue. Professional pop filters are created so that the mesh is not expanded over the frame not too tightly enough or overly tight. Pop filters that are made professionally are produced with the layers in uniform distance from each other when compared with home-made pop filters with just a single layer of a doubled up mesh.
In summary, a pop filter is among the least costly components of a home studio but has a great significance in recording vocals. Occasionally, they are forgotten in setting up a studio although is certainly required for lessening hissing sounds.
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